Journal of the Printing Historical Society
Third Series, Number 2
Michael Twyman
The art of writing on stone in the 1830s: the work of Émile Niveduab in Bordeaux
R.B. Williams
Victorian book printing: the Norfolk Chronicle Company’s twenty-six-letter signatures
Daniel Reynolds
The distribution of sanserif types across German typefoundries during the nineteenth century
Michael Knies
The ‘Associated Founders’ cartel 1872–1895
Robert Oldham
George Medhurst’s mysterious iron hand press
Riccardo Olocco
A new method of analysing printed type
Paul W. Nash
Two hundred years of publisher’s cloth.
Third Series, Number 2
Michael Twyman
The art of writing on stone in the 1830s: the work of Émile Niveduab in Bordeaux
R.B. Williams
Victorian book printing: the Norfolk Chronicle Company’s twenty-six-letter signatures
Daniel Reynolds
The distribution of sanserif types across German typefoundries during the nineteenth century
Michael Knies
The ‘Associated Founders’ cartel 1872–1895
Robert Oldham
George Medhurst’s mysterious iron hand press
Riccardo Olocco
A new method of analysing printed type
Paul W. Nash
Two hundred years of publisher’s cloth.
Third Series, Number 2
Michael Twyman
The art of writing on stone in the 1830s: the work of Émile Niveduab in Bordeaux
R.B. Williams
Victorian book printing: the Norfolk Chronicle Company’s twenty-six-letter signatures
Daniel Reynolds
The distribution of sanserif types across German typefoundries during the nineteenth century
Michael Knies
The ‘Associated Founders’ cartel 1872–1895
Robert Oldham
George Medhurst’s mysterious iron hand press
Riccardo Olocco
A new method of analysing printed type
Paul W. Nash
Two hundred years of publisher’s cloth.