Indices

Journal of the Printing Historical Society, Third Series

Journal, Third Series 3 (2022), contains an obituary of Bamber Gascoigne by Michael Twyman and the following articles: Edward Potten, ‘Dating the Rylands Apocalypse wood-block: John Bagford and the earliest facsimiles of blockbooks’; Peter Kendall, ‘Some lithographic stones from Chatham and the use of lithography by the Royal Engineers’; Martyn Ould, ‘A critique of D. F. McKenzie’s findings on pay- and productivity-rates at Cambridge University Press, 1696–1712’; Luz María Rangel and Aureli Alabert, ‘The increase in the print-run of the 42-line Bible: with two corrections to recent censuses’; William Kemp with Frank Van Coppenolle, ‘The petit-canon types of Michael Du Boys and Robert Granjon, Lyon, 1542–1547’; Eric Karnes, ‘Type-sizes and styles in the books of Simone de Colines and Robert Estienne’; Ueli Kaufmann, ‘The development of early italics from a Lyon, Basel and Rhineland perspective’; Paul W. Nash, ‘Corrigenda on the electrotyping of matrices’.

Journal, Third Series 2 (2021), contains an obituary of Hendrik D. L. Vervliet by John A. Lane and the following articles: Claire Bolton, ‘Fallen type: a catalogue’; Giles Browne, ‘Teaching printing to poor children in Whitechapel: William Lovell, master printer, and an early nineteenth-century experiment in education’; Michael Knies, ‘“As the law stands, we have no protection”: the Associated Founders cartel versus the electrotyping pirates, 1868–1888’; Fiona Ross, ‘Invisible hands: tracing the origins and development of the Linotype Devanagari digital fonts’; Robert W. Oldham and A. E. Maia do Amaral, ‘An early iron hand-press at the University of Coimbra, possibly built by Wilhelm Haas the younger of Basel’; Meghan Constantinou, ‘A secular stenciled book: the library catalogue of Charles-Antoine de Billy, 1742–ca 1760’; and Michael Twyman, ‘Trade suppliers to the printer, bookseller, lithographer and bookbinder Guillaume Gadrat of Foix in the mid-1870s’.

Journal, Third Series 1 (2020), the first number in the series, contains an obituary of Stephen O. Saxe, written by Stan Nelson, and the following articles: Michael Twyman, “The art of writing on stone in the 1830s: the work of Émile Niveduab in Bordeaux”; R.B. Williams, “Victorian book printing: the Norfolk Chronicle Company’s twenty-six-letter signatures”; Daniel Reynolds, “The distribution of sanserif types across German typefoundries during the nineteenth century”; Michael Knies, “The ‘Associated Founders’ cartel 1872–1895”; Robert Oldham, “George Medhurst’s mysterious iron hand press”; Riccardo Olocco, “A new method of analysing printed type”; Riccardo Olocco, “The Manzolus roman analysed”; Paul W. Nash, “Two hundred years of publisher’s cloth”.

Journal of the Printing Historical Society, New Series

Journal, New Series 31 (2019), the last number in the series, contains the following articles: Michael Twyman, “Vilmorin-Andrieux & Cie, seedsmen and provider of illustrations for horticultural catalogues”; Martyn Ould, “Printing at the Bible Press, Oxford, 1769–1772: further analysis”; Katharina Walter, “Letters in the light: a media-historical approach to phototypesetting and its telegraphic antecedents”; Peter Lanchidi, “Julius Bien and the metamorphosis of a Kabbalistic-Masonic lithograph (New York, 1859)”; Paul W. Nash, “A note on Peter Schoeffer’s book-list of ‘1470’ ”. Reviews are by Dan Reynolds, Sebastian Carter and Colin T. Clarkson.

Journal, New Series 30 (2019) contains the following articles: Roger Gaskell, “Hanckwitz’s Essay on engraving and copper-plate printing rediscovered”; Richard Staines, “ ‘A superabundance of hands’: the printing industry’s perennial ‘apprentice problem’ ”; Douglas Charles, “The Spottiswoode Press: corrigendum”; Stephen Hoskins, “Screen-printing as a twentieth-century graphic medium: with notes on how technical changes influenced Pop Art in the 1960s”; Martyn Ould, “Printing at the Bible Press, Oxford, 1769–1772: a quantitative analysis”. Reviews are by Sebastian Carter, Anna Schiffer and Nettah Yoeli-Rimmer.

Journal, New Series 29 (2018) contains the following articles: Paul Nash, “Iain Bain: an obituary”; Michael Twyman, “Giovanni Battista Belzoni’s portrait frontispiece in the various editions of his Narrative of the operations and recent discoveries…in Egypt and Nubia”; Vaibhav Singh, “The first Indian-script typeface on the Monotype: a missing chapter in the history of mechanical typesetting”; Wiesław Cetera, “The Polish printing industry after 1945: with a case study of the Bucziñski printing house”; Borna Izadpanah, “Early Persian printing and typefounding in Europe”; Riccardo Olocco, “The Jenson roman: its mutations and spread in fifteenth-century Italy”. Reviews are by Julie Mellby and Paul Nash.

Journal, New Series 28 (2018) contains the following articles: Douglas Charles, “The Spottiswoode Press: a note on the ‘ordinary’ double-platen machine”; R.B. Williams, “Victorian book printing: unconventional signatures with integral suffixes”; Michael Twyman, “Charles Hullmandel’s stones at Kingston Lacey”. Reviews are by Elizabeth Savage, Barry McKay, Dennis Duncan and Sebastian Carter. The issue also publishes for the first time a list of supporting members of the Society who have made additional donations in support of the Society‘s awards of research grants and of the work of the National Printing Heritage Committee.

Journal, New Series 27 (2017) contains the following articles: Paul Nash, “The first edition of Holzapffel’s manual for amateur letterpress printers, 1839; a facsimile”; Paul Nash, “Two rare table-top presses at the Oxford University Museum of Natural History”; R.B. Williams, “A publishing history, and curiosities of the letterpress and lithographic printing, of William Hellier Baily’s Figures of characteristic British fossils (1867–1875)”. Reviews are by James Mosley, Francis Cave, John Hinks, Phil Abel and Stephen Saxe.

Journal, New Series 26 (2017) contains the following articles: Paul Nash, “Michael Turner: an obituary”; Vaibhav Singh, “From handwritten copy to the printed page in Devanagari: investigating the curious case of Friedrich Max Müller”; Michael Kassler, “Addendum to ‘Philippe André and the introduction of lithography to England’ ”; Dominique Lerch, “The Simons, father and son, engravers and lithographic printers in Strasbourg (1802–1881): a high point in French lithography”; Nicolas Barker, “Johann Borne: an eyewitness to the invention of printing”. Reviews are by Sebastian Carter and David Chambers.

Journal, New Series 25 (2016) contains the following articles: Stan Nelson, “Diagrams of typical ‘French’ and ‘German’ style type-moulds”; Stan Nelson, “Reconsidering a conclusion: were the first types cast or cut to type-height?”; David Bolton, “Typecases: history and development”; Patrick Goossens, “The long survival of the wooden hand press in Belgium”; Paul Nash, “Scaleboard: the material of interlinear spacing before ‘leading’ ”; Martyn Ould, “A note on interlinear spacing at the University Press, Oxford, before 1780”. Reviews are by Judy Slinn, Alan May, Sebastian Carter, Timothy Wilkes and Anne Brady.

Journal, New Series 24 (2016) contains the following articles: Michael Kassler, “The Earl of Buchan’s connections with early English lithography”; Vance Mead, “Printers, stationers and bookbinders in the plea rolls of the Court of Common Pleas, 1460–1540”; Stephen O. Saxe, “The Bruce pivotal typecaster and its influence on nineteenth-century typography”; Alan May, “A new census of wooden presses in Great Britain”. Reviews are by James Clough, Paul W. Nash and John McClure.

Journal, New Series 23 (2015), which commemorates the eightieth birthday of founding editor, James Mosley, contains the following articles by him: “Jacques Jaugeon’s account of the typefounder’s mould, from the text of the ‘Description des arts et métiers’, 1704”; “Big brass matrices: a mystery resolved?”; “Drawing the typefounder’s mould”; “A lost Caslon type: Long Primer No 1”; “Dabbing, abklatschen, clichage …”; “Garamond or Garamont?”. The issue also contains an updated bibliography of the works of James Mosley.

Journal, New Series 22 (2015) contains the following articles: Alan May, “Making Moxon’s type-mould”; H.D.L. Vervliet, “The combinable type-ornaments of Robert Granjon, 1564–1578”; Alan May, “Albrecht Dürer’s drawing of a printing press: a reconsideration”; Elizabeth Savage, “New evidence of Erhard Ratdolt’s working practices: the after-life of two red frisket sheets from the Missale Constantiense(ca1505)”. We regret that this issue is now out of print.

Journal, New Series 21 (2014) contains the following articles: David Chambers and Iain Bain, “The Printing Historical Society: the early years”; Albert Corbeto, “The golden age of the Spanish book: the improvement of typography at a time of enlightened reform”; Stephen Lubell, “Addenda and corrigenda to ‘The use of Hebrew in the Antwerp polyglot Bible’ ”; Robert Oldham, “The Columbian press at 200: a preliminary report on a world-wide census”; R.B. Williams, “The plates of William Henry Harvey’s A manual of the British marine algae (1849): the production process and identification of their preparator, James Peterkin”.

Journal, New Series 20 (2014) contains the following articles: Ferdinand Ulrich, “The prototype: what we can learn from one of Hermann Zapf’s last metal typefaces”; Claire Bolton, “Leading but not as we know it: some evidence of interlinear spacing in fifteenth century printing”; William Peterson, “The Daniel Press in America”; Martyn Thomas, “Why did Robert Bridges, Poet Laureate, choose to publish many of his poems with the Daniel Press?”.

Journal, New Series 18/19 (2012) contains the following articles: Sandro Jung, “Packaging, Design and Colour: From Fine-Printed to Small-Format Editions of Thomson’s The Seasons, 1793–1802”; James M'Kenzie-Hall, “Fisher, Son & Co. and the Economics of Fine Production”; R.B. Williams, “Victorian Book Printing: A Rare Supernumerary Signature”.

Journal, New Series 17 (2011) contains the following articles: Michael Kassler, “Philippe André and the Introduction of Lithography to England”; Pierre Delsaerdt, “Typographic design and renaissance lexicography: Cornelis Kiliaan's dictionaries of the Dutch language”. We regret that this issue is now out of print.

Journal, New Series 16 (2010) contains the following article: Stephen Lubell, “The use of Hebrew in the Antwerp Polyglot Bible”.

Journal, New Series 15 (2010) contains the following articles: Nan Ridehalgh, “Multicolour printing: the ‘Jean Berté’ watercolour printing process”; and Paul Dobraszczyk, “Dream reading? Designing and using Victorian gardening catalogues”.

Journal, New Series 14 (2009) contains the following articles: 'Delight of Men and Gods: Christiaan Huygen's New Method of Printing', Eric Kindel; and 'The Introduction of anastatic printing to America', Edward J. Law.

Journal, New Series 13 (2009) is a special issue on lottery printing guest edited by Dr Rob Banham. It contains the following articles, each with extensive colour reproductions: The English State Lottery 1694-1826, Geoffrey L. Grant; 'Lottery Advertising 1800-1826', Rob Banham; and 'Whiting & Branston's Lottery Printing', Maureen Greenland.

Journal, New Series 12 (2008) contains the following articles: Cloth impression marks in the fifteenth century editions of Johann Zainer – evidence for paper damping?, Claire Bolton; E.T. Wimple, ink manufacturer, supplier to the printing trade, and Australian naturalist, Benjamin Thorn; and The reward for honest toil: wages in the printing trade in early nineteenth-century Dublin, Charles Benson.

Journal, New Series 11 (2008) includes the following articles: Blockbooks: text and illustrations printed from wood blocks, Nigel F. Palmer; Nineteenth-century jobbing: the printing methods of Gye and Balne, Robert Banham; and The one-pull press, Alan May. 

Journal, New Series 10 (2007) includes the following articles:
Bob Lowry: Printer to the University?, Patricia Thomas; The Liberty Press: a platen job press invented by Frederick Otto Degener, Robert Oldham and Erick Desmyter; and Printing red underlines in the incunable period: Sensenschmidt and Frisner's 1475 edition of Justinian's Codex, Margaret M. Smith.

Journal, New Series 9 (2006) includes the following articles: John Toland's economic imperative to print and financing the Harrington edition, Jeff Wigelsworth; Paper wraps stone: the beginnings of educational lithography, Christopher Stray; Artistic printing: a re-evaluation, Graham Hudson; Patents progress: the Adjustable Stencil, Eric Kindel.

Journal, New Series 8 (2005) includes the following article: Early Paris italics 1512-1549, H. D. L. Vervliet. Reviews are by Catherine Alexander, Ross Alloway, Catherine Armstrong, Maureen Bell, John Buchanan-Brown, Betty Hagglund, Justin Howes, K.A. Manley, Ian Maxted, James Mosley, Paul Nash, Maroussia Oakley, Karen Osborne and Margaret Smith.

Journal, New Series 7 (2004) includes the following articles: Reconstructing a Senefelder pole press, Alan May & Michael Twyman; Horace Hart and the University Press, Oxford 1883–1915, Charles Batey, with annotations by R. M. Ritter; The birth of Hart's Rules, R. M. Ritter; Hansard's typographical banknote, Paul W. Nash. Reviews are by Peter Hinds, Richard Lawrence, Marja Smolenaars, David Shaw, Ben Annis, Catherine Armstrong, John Hinks, Lucy Lewis, Karen Osborne, Maureen Bell, John Feather and David Stoker.

Journal, New Series 6 (2003) includes the following articles: John Dreyfus, typographical adviser and historian: an obituary, Nicolas Barker; The myth of identical types: a study of printing variations from handcast Gutenberg type, Stephen Pratt; Space-saving practices in early printed books, Margaret M. Smith; Techniques for the study of Renaissance mathematical instruments: punched and engraved lettering, Gerard L'E. Turner. Reviews are by Rosie Miles, Margaret M. Smith, Diana Dixon, John Feather, Judy Crosby Ivy, and Michael Bott. We regret that this issue is now out of print.

Journal, New Series 5 (2003) includes the following articles: Local and regional studies of printing history: context and content, John Hinks; Gye and Balne: printing families, Robert Banham. Reviews are by Sarah Mahurter, John Feather and Margaret M. Smith.

Journal, New Series 4 (2002) includes the following articles: The Greek typefaces of the early French Renaissance, H. D. L. Vervliet; and George and George Robert Gitton, Printers, Bridgnorth, Diana R. Mackarill. Reviews are by Caroline Archer, Andrew Boag, Christopher Burke, Shelley Gruendler, Paul Luna and Margaret M. Smith.

Journal, New Series, 3 (2001). General issue, edited by Richard Lawrence: The abandoning of the long s in Britain in 1800, Paul W. Nash; The origins of modern filmsetting: the Uhertype: a research report, Roger Muench; John Ryder: a memoir, Michael Harvey; Startling observations on early printing: re-examination of Gutenberg's types, Stan Nelson.

Journal, New Series, 2 (2000). General issue, edited by Richard Lawrence and Christopher Burke: Greek printing types of the French Renaissance: the 'grecs du roy' and their successors, H.D.L. Vervliet; Monotype and phototypesetting, Andrew Boag. We regret that this issue is now out of print.

Journal, New Series, 1 (2000). General issue, edited by Richard Lawrence and Christopher Burke: On Gutenberg's 600th anniversary: towards a history of jubilees of printing, John L. Flood; Trade cards of early British lithographers, Michael Twyman; Edward Crouch (c. 1622–1676): a poor printer in seventeenth-century London, Jason McElligott.